My sculptures emerge from the making and joining of wood, metal or fabric. The combination of these materials and their relationship to each other becomes the focus of the work. Starting with a concept, each sculpture evolves and changes as new ideas are introduced. Communicating with different materials becomes a journey of ever changing directions. When problems arise they become an opportunity for new discoveries. With all open ended concepts, what is not planned cannot be predicted.
Abstract Painting
The elements of design - dot , line, shape and form - and their applied principles have deeply influenced my work in recent years. Working through the lens of design has afforded me endless ideas, leading me into a journey into the unknown often taking me in unexpected directions. While painting hard-edged geometrics may appear highly structured, for me, the process is one of constant construction and deconstruction - only to rebuild again. With each change, new problems arise, but these challenges become opportunities to move creatively and refine the work. My process remains open-ended, and as with any open-ended concept, what is not planned cannot be predicted.
Abstract Painting
The elements of design - dot , line, shape and form - and their applied principles have deeply influenced my work in recent years. Working through the lens of design has afforded me endless ideas, leading me into a journey into the unknown often taking me in unexpected directions. While painting hard-edged geometrics may appear highly structured, for me, the process is one of constant construction and deconstruction - only to rebuild again. With each change, new problems arise, but these challenges become opportunities to move creatively and refine the work. My process remains open-ended, and as with any open-ended concept, what is not planned cannot be predicted.
